The American And Chinese Communist Revolutions - 1363 Words

As in all revolutionary movements, there are many accelerators that work to transform the countries they involve. Correspondingly, there were many causes that started both the American and Chinese Communist revolutions, some being similar and some being different. One of the main causes of the revolutions was that they both were inspired by the Enlightenment. This factor made both wars and their outcomes more intellectually based rather than physically. Another main accelerator that forced the people to fight for a change in their government was due to an unpopular method of rule. In both China and America, the forms of government previous to their revolutions and extreme political changes were despised among a majority of the commonplace†¦show more content†¦An important consequence was that the colonies developed a burgeoning hostility towards Great Britain. The most critical repercussion was the occurrence of the American Revolution. In China, Chiang-Kai Shek’s na tionalist government was allowing a number of Chinese citizens in the Manchurian region to be put in danger by not protecting them from Japanese invasions. Mao Zedong, China’s first communist leader, was angered by this and forced the entire nationalist bureaucracy out of the country and into Taiwan. This resulted in the reformation of China into the People’s Republic of China, and the Communist Revolution of 1949 transpired. The commencements of the American Revolution and the Chinese Communist Revolution both had their beginnings in new Enlightenment thinking of the 1700s, often called, â€Å"The Age of Reason†. The Enlightenment promoted the thought, â€Å"that humanity could be improved through rational change.† In China, Karl Marx’s new Enlightenment ideas of social equality and no private property were the main inspirations of Mao Zedong’s political thinking. Introduced in his theory, Marx believed that capitalism, â€Å"an economic system in which investment in and ownership in the means of production, distribution, and exchange of wealth is maintained chiefly by private individuals†, was unstable and that in order to prevent a revolution, private property and social classes, maintained by private wealth through capitalism, needed to be eliminated.

The Horror of The Tell-Tale Heart Essay - 970 Words

The Horror of The Tell-Tale Heart Writers can use many tricks to make a story seem more interesting to the reader. From the words they pick to the setting to the time of the day... the possibilities are endless. In the story The Tell-Tale Heart by Edgar Allen Poe, the use of light and darkness, the description of the mans eye and the time frame make the story more scary than anything else. Poe also uses suspense at the end to make the readers heart beat faster. The speaker starts the story out by explaining that he doe not hate the old man that he is about to kill. In fact he even says that he loves him and that he has always been nice to him. The reason he must kill him however is because of what he calls his evil eye. When†¦show more content†¦Night after night he performed this same deed until he made a noise that woke the old man up. When he tried to shine the light on the man he saw that the eye was looking around and it was at this point the speaker finally decides to kill the man. The single ray being on the man open eye just before he is killed is symbolic in that it almost made the reader seem that there was some hope left that something good was going to happen or that maybe the speaker would not have the courage to go through with the whole deed. However, the speaker quickly dismisses this idea when he leaps for the man and murders him. The next trick used in this story to make it scary was the beating of the mans heart once he woke up and came to be suspicious that someone was in the room with him. The speaker describes the beating of the heart as so strange a noise as [it] excited me to uncontrollable terror (Poe, 3). At this point the reader may think that it is the conscious of the speaker that is really bothering him rather than the mans heartbeat. Every time the speaker refers to the heartbeat he says that it keeps getting louder and louder. One can come to the assumption that at this point the speaker is only looking for reasons to support his killing a man. And in fact it is the beating of the mans heart that drove the speaker/killer to confessing about what he has done and showing the police where the body was. The next strategy used to keepShow MoreRelatedHorror and Figurative Language in The Tell Tale Heart1288 Words   |  6 PagesHorror and Figurative Language in The Tale-Tell Heart Dreadfully chilling, The Tell-Tale Heart by Edgar Allan Poe is a horrific short story that introduces the reader to an utterly mad narrator who is driven to commit vile and heinous acts because of his unnatural obsession with his roommates, an old man, cataract eye. The narrators madness is revealed instantly, only to be substantiated when he devises a sinister plan to rid himself of the vulture eye forever. After seven nights of watchingRead MorePre 1914 Gothic Horror Stories: Techniques Used in Writing The Tell Tale Heart and The Red Room867 Words   |  4 PagesThe Tell Tale Heart and The Red Room are two short stories that share the genre of a gothic horror story. They are both based in the nineteenth century but the plots are very diverse from one another. The Tale Tell Heart tells the story of a man driven to insanity by his landlord’s eye whereas The Red Room is a story about an ignorant man whose disbelief in ghosts leads to him spending the entire night in a haunte d room with ominous consequences. With both stories set pre 1914, the writers couldRead MoreAuthor of Mysteries to Horror, Edgar Allan Poe Wrote Tell Tale Heart and The Black Cat in One Year710 Words   |  3 Pagesfrom mystery to horror. He lived during the 1800s. In the year 1843, Poe wrote two stories, â€Å"The Tell-Tale Heart† in January and â€Å"The Black Cat† in August. The first story is about a man who tries to convince the reader of his sanity by describing the murder he committed of an old man. The second story is about a man who accounts on his transformation into a murder. Some believe that the two stories were based off one another due to the similar plot lines. In â€Å"The Tell-Tale Heart† and â€Å"The BlackRead MoreThe Importance Of Suspense In The Tell Tale Heart By Edgar Allen Poe800 Words   |  4 Pagesâ€Å"Where there is no imagination there is no horror,† said Arthur Conan Doyle, famed author of Sherlock Holmes’s myste ries. Doyle recognized the importance of the readers imagination in creating a scary tale. Another well known author, Edgar Allan Poe, mastered this technique by creating story’s that draw the reader into his freighting world in one of his famous stories. In the The Tell-Tale Heart. The Tell-Tale Heart by Edgar Allen Poe is horror story because it has suspense, an internal monster,Read MoreThe Tell Tale Heart By Edgar Allan Poe1133 Words   |  5 Pages Written in 1843, The Tell-Tale Heart by Edgar Allan Poe incorporates nearly all of the gothic elements. While this piece of art may not contain all of the gothic elements, it is the epitome of a gothic short story. In The Tell-Tale Heart, the setting seems to be inside an old house, which strengthens the atmosphere of mystery and suspense. The madness and overall insanity of the narrator illustrates the sense of high, overwrought emotion. The presence of creaking hinges and the darkness representRead MoreGoing to Meet The Man by James Baldwin and The Tell Tale Heart by Edgar Allen Poe 635 Words   |  3 PagesHorror is ingrained in human society, in our movies, in our music, in our stories. Horror is inescapable; it surrounds us, it envelops us. Horror is part of being human; in fact, the definition is being frightened or disgusted. There are two short stories, which truly fit this definition of horror, Going to Meet The Man by James Baldwin and The Tell Tale Heart by Edgar Allen Poe. Going to Meet The Man by James Baldwin and The Tell Tale Heart by Edgar Allen Poe utilize too very different forms ofRead MoreHumorous Humor Of Edgar Allan Poe s The Dark Hearted 1675 Words   |  7 PagesPoe: Lighthearted Humor in a Darkened Heart Edgar Allan Poe, the dark hearted author! When speaking of Poe, readers would most likely associate him as a dark and dreary author. His uses of vivid, shadowy imagery and themes of death and despair lurk within the minds of his audiences. Poe, however, subtly injects his works with humor that may not easily be spotted by the human eye. Why exactly would Poe inject humor into his horror stories, since they aren’t comedies? To begin, the use of humor inRead MoreEdgar Allen Poe s Style Of Drama And Personification1029 Words   |  5 Pageswas one of the most well-known, albeit short-lived, authors and poets of the early 19th century. Regardless of his passing at the young age of 40, his works lives on to this very day. His style for writing in dramatic fashions and being the original horror author have left a mark on literature history. The short stories of The Raven and The Cask of Amontillado were some of the more well-known works of Edgar Allen Poe. Reading his past works it is noticeable that he only wrote in the first person orRead MoreThe Tell Tale Heart By Edgar Allan Poe1030 Words   |  5 PagesA Guilty- Mad Heart â€Å"Burduck then goes on to ponder how Poe used cultural anxieties and psychological panic to advantage.† (Grim Phantasms, G.A. Cevasco). In The Tell-Tale Heart by Edgar Allan Poe, a nameless man narrates the story of how he murdered an elderly man because of his eyes. In his short story The Tell-Tale Heart, Poe shows the themes of guilt and the descent into madness through the narrator, in this gothic horror story. Edgar Allan Poe wrote many gothic tales throughout his lifeRead MoreEssay about Edgar Allan Poe1258 Words   |  6 Pagesstill†(â€Å"Spirits Of The Dead†). As the â€Å"Father Of Horror† Poe loved to write about his feelings in a more, disturbing and haunting way. He wrote many great poems about death, ghosts, and even some love stories; but in a twisted way. Poe had a deep love for writing and for much of his life could not share that with the world. Once he got into college, Poe started sharing his works with others. Soon he became famous and earned the name â€Å"Father Of Horror†. Edgar Allen Poe’s tragic life led to a fascination

The Motorcycle Diaries Free Essays

It is an irony that the guerrilla Ernesto â€Å"Che† Guevara, one of the most intriguing figures of Latin America, has come to be immortalized as an icon of popular culture—a pin-up, poster boy of sorts that lends face to the mass-produced â€Å"Che† shirts and pins. This massive appeal, however, needs to be rooted in the context of what prompted him to become a revolutionary, to a time before he took up arms and became a legend. Retracing such route to a decisive era in Guevara’s early life is the book â€Å"The Motorcycle Diaries: A Journey Around South America. We will write a custom essay sample on The Motorcycle Diaries or any similar topic only for you Order Now † The Motorcycle Diaries: A Journey Around South America is the memoir of twenty-three year-old medical student Ernesto Guevara de la Serna when he embarked upon a journey across South America with his older friend Rodrigo Granado. In search for fun and adventure, theirs is a rather grand route that spans Argentina, Chile, Peru, the Peruvian Amazon, Colombia and Venezuela. The two start out aboard a lumbering 1939 Norton 500 motorcycle they named â€Å"La Poderosa† (The Mighty One) which eventually crashes on the way and forces them to travel on foot. Chronological entries in The Motorcycle Diaries detail Ernesto’s narrative of the eight-month journey, in which they initially wanted to seek bourgeois pleasures like getting drunk and getting laid. Early on, they pose as Argentinian leprosy doctors in order to gain accommodations and hospitable treatment from local folks.   Further on the road, Ernesto and Alberto share a series of youthful misadventures, at times committing scams to get themselves by. In an event, Ernesto tries to work as a fireman but sleeps out on the sounding fire alarm so that the building on fire burns down. Even if the diaries present the characters’ bawdy behavior, it more importantly accounts for a great discovery that only such journey can offer them. As they themselves experience poverty and come face-to-face with indigent townsfolk, nameless people whose living conditions sharply contrast the lavish lifestyle they were born into, their view of the world changes. Incidents in the diaries concretely speak of these encounters with social injustice. When Ernesto sees a tuberculosis-stricken woman in her death bed, he realizes how dismal the public health system is. When he tours a copper mine (which has taken lives of miners), he discovers how laborers are famished and unfairly treated. Throughout the trip, not only does Ernesto stumble upon the endemic poverty and subjugation of the peoples across South America. He is also able to make his stand regarding a â€Å"unified Latin America.† A passage in the The Motorcycle Diaries reads Although we are too insignificant to be a spokesman for such a noble cause, we believe, and this journey has only served to confirm this belief, that the division of America into unstable and illusory nations is a complete fiction. We are one single mestizo race with remarkable ethnographical similarities, from Mexico down to the Magellan straits. And so, in an attempt to break free from an all narrow-minded provincialism, I propose a toast to Peru and United America. From various South American sights running parallel to each other, Ernesto sees his ideal of Pan-American unification which he would later brace politically. He maintains that since all of Latin America share a common experience and long history of oppression, hence should they have an integrated movement towards their liberation. (Later in his life, Ernesto demonstrated how he lived up to this ideal, touring across the continent to unite different guerrilla units and revolutionary forces in different countries.) What was originally meant to be a journey for fun and adventure turned out to be the provocation necessary to make a â€Å"revolutionary.†   Immersion and encounters with workers being laid-off and fighting for jobs, starving farmers, and other vestiges of feudal rule on agricultural communities make only a few threads weaving the larger story of oppression that proved strong enough to catapult individuals like Ernesto Guevara to the fray. These experiences caused such indignation in Ernesto, sending him to become the revolutionary who changed the history of South America. Both Alberto (who came back to Argentina to pursue medicine and dedicate his practice for the poor) and Ernesto show that the things they saw from their journey are hard truths—realities often obscured to the upper economic classes but inescapable realities nevertheless, needing to be dealt with actions more forceful than charity. The characters of The Motorcycle Diaries are a testament that revolutionaries are made, not born. The ‘life-changing’ theme that prevails in The Motorcycle Diaries is conveyed by other allegories pertaining to the characters’ awakening. For instance, the river separating the leper colony to the medical staff’s island symbolizes the gap between the powerful and the oppressed. Ernesto’s act of dissolving this symbolic divide is a portent to the way he would later take in his life. Ernesto’s Diaries is written with such vividness and animation, and is punctuated with a range of ordinary human emotions, from mischief and vulgarity to a sense of righteousness and justice. He states even his most roguish actions in a matter-of-fact tone that you would think of â€Å"shooting a puma in the dark of the night† (which turns out to be a neighbor’s dog) as if it is the most natural thing to do.   Even if Ernesto writes The Motorcycle Diaries from his own viewpoint, it does not render him heroically ‘larger-than-life.’ In 2004, a film bearing the same title was made based on the book. There are minor deviations from the book to account for, particularly the omission of several interesting incidents (like shooting of the â€Å"puma† and sneaking inside a shipment of melons, etc.). The film also romanticizes the love angle between Ernesto and his fiancà ©e, which, in the diaries, does not appear to be such a highlight.   Despite these, however, the film is still quite able to introduce the essence of the written memoirs to those who have not read them yet. The Motorcycle Diaries: A Journey Around South America has written down how witnessing concrete forms of social injustice could change a person’s worldview and awaken him from his ignorance and unconscious indifference. At least for the man who later became the revolutionary Che Guevara, the journey even served to fuel his future actions in defiance of the prevailing system he found oppressive. The catchphrase â€Å"Before he changed the world, the world changed him† (promoting the film version of The Motorcycle Diaries) speaks truthfully of the bereted man we see ubiquitously as a pop icon. In turn, the book speaks of demystifying the face behind the shirt and the poster and understanding, from his beginnings, the persona who the powers-that-be, for so long, have come to vilify. Guevara, Che, The Motorcycle Diaries: A Journey Around South America. October 1996. New York: Verso.    How to cite The Motorcycle Diaries, Essay examples

El Greco Example For Students

El Greco Biography Biography El Greco (Domenikos Theotokopoulos) (1541–1614) Born in Candia (Irà ¡klion), Crete. In Italy he was called El Grequa and later in Spain El Greco. Few details of his life are known. He was in Venice by 1570 (he probably studied under the then aged Titian), when he went to Spain is uncertain. His earliest known painting there was done in 1577 in Toledo, where he spent the rest of his life. His early work, reflecting his origin, shows the influence of Byzantine icons, but also the influence of Michelangelo and Mannerism, and the Venetians (including Tintoretto and Bassano). From this he progressed to his extraordinary, very personal religious style expressive both of Spanish fanaticism and his own spiritual ecstasy. His works are finished with passion and power. An otherworldly quality is suggested by the elongated bodies, the bold, almost phosphorescent, colours with sharp contrasts of blue, yellow and green. The emotional rather than the actual content of the subject became increasingly stressed as the Mannerism of his earlier style is modified by a baroque conception of space and movement. Among his masterpieces are The Burial of Count Orgaz(Toledo), View of Toledo (New York), The Scourging of Christ (Madrid) and The Disrobing of Christ(Munich). Despite the religious preoccupation of his painting, he was a humanist, very widely read.